When I’m 66

 

I’ve been away – mostly just outside the house – since coming out of my den (see last post). The autumn rains have come and the house is dim, and warm without a fire, just right for an inside day.

As of today the US government is going to start sending me money for as long as I shall live. I suppose I will get used to the idea, but it seems so extravagant on the government’s part. I never really noticed those mandatory Social Security contributions. Besides, I am still a young man!

It occurred to me to say, in explaining the kind of poetry I write (mostly rhyming verse, which is not the current fashion), that the house of poetry has many mansions. You may recognize part of that phrase. In the King James translation of the Bible, the Apostle John reports that Jesus said, “In my Father’s house are many mansions.” The original Greek word for “mansions,” μοναὶ, is sometimes translated “rooms” or “dwelling places” (Jesus was assuring his disciples that there would be room at the inn for them when the time came – confirming their reservation at the grand celestial Airbnb). But the idea of a house somehow opening up from within to disclose larger, grander houses, or mansions in the modern sense (which seems to be supported by passages in Isaiah and Revelation), is very appealing. What did “mansions” mean in 1611? The OED or, better yet, a concordance to Shakespeare will explain. Yes, Shakespeare uses the word 14 times, nearly always in the sense of “dwelling place,” literally or metaphorically. One use struck home:

Why so large cost, having so short a lease,

Dost thou upon thy fading mansion spend?

That’s from Sonnet 146 (“Poor soul, the centre of my sinful earth”). The “thou” is, of course, the body, the soul’s “fading mansion.” It was fading for Shakespeare, it seems, well before the Sonnets were published, when he was 45. He never reached 66 (he died at 52). In the lines above, Shakespeare seems to be referring to liberal spending on expensive clothes and perhaps Elizabethan cosmetics (not my style anyway). So my question, which began with the house of poetry, ends with poetry about a kind of house.

My body is fading (in small ways) enough for me to have intimations of mortality, but I can report that I have found a home for it: in the Shaftsbury Center Cemetery, whose earliest burials date from 1765. The Cemetery is conveniently, and very scenically, located at the end of West Mountain Road just one mile from where I am sitting. The Town sells plots, and with the kind assistance of Mr. Coonradt, Cemetery Supervisor, a few weeks ago I bought one. I anticipate being cremated, and my ashes interred there (but if they blow away in the wind I won’t mind), but I will leave the choice of marker to my children. I will, however, suggest an epitaph to them. I have always enjoyed the poetic epitaphs on our older local stones. I composed one in that style:

Upon the rising mountainside

You face I lived and there I died.

I stood here once, as quick as you,

And chose this plot: enjoy the view.

This house is not visible from that spot, but the woods that surround it are. How many people get to visit their own grave? It’s not as morbid – or as vain – as it sounds. Robert Frost, who chose a plot in the Old First Church Cemetery in Old Bennington when he was 66, gave me the idea. He lived to 88. If I do too, it will have been a long goodbye! Or greeting.

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The rain has stopped (all four inches of it). Time to walk down the driveway and get the mail.

 

The Times Takes Notice

From today’s New York Times “Dance This Week” (by Gia Kourlas)

The Sunflower Whisperer

Moses Pendleton, the artistic director of Momix who is famous both for his otherworldly choreography and his much-photographed sunflower garden in Connecticut, celebrates his troupe’s 35th anniversary with a new work, “Alchemia,” beginning this week at the Joyce Theater. “Alchemia” explores his dancer-illusionists relationship with the elements: earth, air, fire and water. Mr. Pendleton, a magician of bodies, also has a serious imagination; with the writer Phil Holland, he’s produced a book, “The Dance Must Follow,” a verse portrait of the artist as dancer, gardener and photographer. It features 75 photographs and poems (West Mountain Press).

The launch

I know with a new book out I should be flogging it (to flog: 1. To beat severely with a whip or rod. 2. Informal To publicize aggressively: flogging a new book.) – but I’m just a mild-mannered poet, so it has taken me a week to make a post. The book launch was lots of fun. Novelist Ann Leary introduced me and said that when she had first heard Moses Pendleton describe me, she thought I must be his imaginary friend. My reading showed, however, that he is mine. I should mention that I don’t actually read, I recite from memory, and I try not to recite so much as speak as if I were just casually telling stories in rhyme. Now that I’ve seen I can do it, I’m going to take it a little further, Mark Twain style, with more pauses and other little performance effects. (Mark Twain would arrive at the lectern with speech in hand, a thought would apparently strike him, he would tuck his papers under his arm and ramble on for an hour as one thing led to the next – crafty fellow, he had memorized his monologue in advance, right down to the stammerings and confusions). The point is, I got to see many copies of the book, with that stunning cover photo by Moses, piled on a table. Cynics will be thinking, “You’ll see them again when your book is remaindered – no one buys poetry.” Well, sales were brisk – albeit to a hometown crowd. And there are pictures! Extraordinary pictures, in fact…photo-4

The Dance Must Follow

The Dance Must Follow has just been published by West Mountain Press. The launch will take place this Saturday, May 23, at the Hickory Stick Bookshop in Washington Depot, CT, at 4 pm. I wrote the poems; Moses Pendleton took most of the photographs. Moses is a founder of Pilobolus and the artistic director of Momix, a dance company with a global following. 27 years ago he asked my help with a poem he was writing about his creative process. 16 cantos and an epilogue later, I finished his poem for him. It’s a light-verse portrait of the artist as dancer, choreographer, dreamer, gardener, photographer, and showman. The University Press of New England is distributing the hardcover version, which is also now available as an ebook for various devices and will soon be issued as an audiobook as well. Amazon will have stock in a week or so. Order your copy today!

Out of our dens

There was still plenty of snow on the ground on Monday (there still is), but it was blindingly sunny and in the upper 30s. I noticed a chipmunk, fresh from his winter’s sleep, scampering around my woodpile for leftover birdseed. Then I noticed that the shape of the flat rock in front of the goat shed, only recently emerged from the deep snow, had changed. A large woodchuck was sitting on it, right where he had sat before retiring. He didn’t look noticeably leaner, but no doubt he was hungry.

By coincidence, my order of vegetable seeds from Johnny’s had just arrived.

I immediately made plans to kill the woodchuck. I would give my .22 a good cleaning. It had last been fired, mortally, 25 years ago, at a woodchuck from the steps of the cabin. I remember my little daughter Phoebe looking out the doorway and cheering. I would pick this one off while he was perching on that rock, before he could beget – or she could bear – another generation. The thought of woodchucks reproducing like rabbits under the goat shed was frankly appalling. I am a pretty good shot. I drew a bead on this would-be varmint progenitor in my mind’s eye and imagined shooting out the kitchen window, pioneer-style.

The snow was firm enough, after a series of meltings and freezings, for a walk in the woods up the mountainside. I hadn’t been out all winter – the snow had been too deep. I put on my down vest and a pair of tall boots and headed up the trail. I figured I would take a look at Dailey’s camp over the shoulder of the mountain, which had been built at some time during my 20-year absence from Vermont. Up I hiked, in my sunglasses and buffalo-plaid wool cap with visor and earflaps, which I deployed against the fresh, cold breeze.

There were plenty of deer trails through the snow along and across the woods road I was following. As I approached the ridge, where the land rises more steeply and there are caves in the rocks – about which more later – I thought of bears. Black bears live on this mountain. I have seen them myself once or twice, loping across the driveway up into the woods. I suppose they live somewhere up in the rocks. A neighbor once told me he had found their den. I became aware that I was in fact entering their territory. I vaguely started looking for bear sign. I remember seeing the claw marks on a huge yellow birch on top of the mountain years ago. As my mind was reimagining the past, my eyes suddenly lit on those same marks freshly gashed into a beech ahead of me. No doubt about it: the bears too had awoken. All of us creatures had emerged from our winter homes, perhaps on this same day. As I tramped on and up, I saw another tree that the bear had raked with its claws. Gash, rake, and of course maul: verbs of the bear.

I became a little anxious. A bear’s territory is extensive – several square miles, I believe. The odds against an encounter were high. I thought back to my murderous, predatory gloating at the sight of the woodchuck. Now I was the woodchuck. No. The bear would run from me (and I from the bear). That is what happened when I surprised a bear while hiking through the Olympic National Forest in Washington state years ago. I replayed our meeting in my head. True, that was in July. This bear (these bears?) would be hungry.

I paused to pee in the snow. The sun was warm on my face, I was heated from my climb, and peeing in the snow (well away from one’s back door) is one of life’s little pleasures. Then I began to wonder. What if the bear passes by? Or catches wind (literally) of my man sign? I had once read that a bear’s sense of smell is seven times more sensitive than a dog’s. Will he think that I am marking up this corner of the woods for myself? Will he smell the potential of a good meal in my urine? He was lean from winter; I, on the other hand, was fat. The bacon I had had for breakfast – he could probably tell I had been eating pigs. Any leftover lipids in my urine would make it particularly savory (to bears) – appetizing, so to speak. I suddenly realized that this was a contest to see who would be at the top of the food chain. Two alpha predators were simultaneously roaming the same woods. I have faced off against a woodchuck before (carrying a small cudgel), but I was totally unarmed and up against a larger opponent known to be (on occasion) a random, impulsive killer on the paleo diet.

My walk in the sun took on the cast of nightmare. What would happen if we met? I have never seen the movie “Grizzly” but I know Shakespeare’s “The Winter’s Tale,” which contains the famous stage direction “Exit, pursued by a bear.” Phrases from the ensuing passage, from an eye-witness to the off-stage attack, floated into my mind. “And then to see how the bear tore out his shoulder bone…and how the poor gentleman roared and the bear mocked him…half-dined on the gentleman… he’s at it now.” I had reached the ridge top. I stopped in my tracks and scanned the snowy, sunny landscape in every direction. No one would be witnessing anything up here, I reasoned. What the bear didn’t dine on would be cleaned up by the coyotes, the Vermont version of hyenas. Someone might come across my iPhone and part of leg in the spring. My phone! I could always call for help. It wouldn’t save me, but I might get the call reported in a grisly story on the Huffington Post. I could be my own witness, at least for a while. “Vermont man quotes Shakespeare to 911 as bear attacks.”

The thought of minor posthumous celebrity somehow buoyed my spirits. I decided I might as well forge ahead, vigilantly. But I soon found myself daydreaming again. I was thinking back to the time I had stuck my head in the coyotes’ mountainside den one summer in the presence of my family. (I say coyotes. They could have been bobcats. In any case, the scat at the mouth of the cave was fresh). I didn’t really insert my head into the opening, merely bent over and placed it at the hole and peered in. I immediately heard a loud snarl coming (as it seemed to me) from the depths of the den. I bolted. This is the so-called flight reaction hard-wired into our genes by ancient encounters with wildlife on the African savannah and in the caves of Europe. I sprang away from that den with a tremendous bound. Then I looked back at my family to try to save them. They, however, were all laughing uncontrollably, like jackals. My four-year old son Freedom seemed particularly jubilant. He had been the source of the snarl. Very life-like, too, at least to my vivid imagination.

It was not the first time I had run from a supposed predator. That would have been the time I was carrying a piece of plywood up the driveway with my wife in mud season many years ago, the mud having briefly rendered the road impassable. It was after dark. (This does not sound like good planning on our part, but we were young and it didn’t matter). We had a flashlight, an ordinary household flashlight. The beam must have swept up the driveway at one point, because it caught a flash of something ahead of us. Holly steadied the beam. It was reflected by two large yellow eyes. By coincidence, we had just been reading about the catamounts of old Vermont (now known as the Eastern Mountain Lion). I had dreamed of seeing one in our woods, which we had scarcely explored in our rush to build our cabin. (The last confirmed catamount in Vermont was the so-called Barnard Painter, shot in 1881, but there had been numerous reports of sightings since, some of them relatively recent). Holly kept shining our weak beam at the animal. It was too dark to make out the body, but the shoulder seemed quite high off the ground. It took a step towards us. We put the plywood down. Then the animal charged. I can still see those large yellow eyes coming at me – at least for the time it took me to turn tail down the driveway, slowly at first, then (looking over my shoulder) with alacrity. My wife leveled the beam long enough to recognize Artemis, our cabin housecat, who had come down to greet us. The rise in the ground ahead of us had somehow elevated her stature. I was somewhat embarrassed. Holly was highly amused.

I brake for animals, and it seems that I also run from them. If saw a bear and survived, whether by holding my ground or being pursued and escaping, I reasoned that I would have another story to tell. And if the bear won one for the quadrupeds, perhaps that was only fair. The woodchuck would be fruitful and multiply, as the Lord intended. But if I lived, he would surely die.

I saw no bears in the woods, nor more bear sign. Nothing more than a squirrel, and I did not take him for a cougar.

 

 

 

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